Late 16th century; tower incorporated in new house by Robert Adam 1782; new entrance front and re-modelling, William Burn, 1842. Tower house incorporated (and concealed by) 4-storey and basement, 7-bay classical rectangular-plan castle with 2 and (now) 3-storey wings with attics to flanks; later single storey and basement wing forming new entrance with advanced single storey, single bay crenellated portico. Droved ashlar with polished ashlar dressings. Base, band and eaves courses. Crenellated parapets, angle towers and turrets.
N (PRINCIPAL) ELEVATION: central entrance portico with round-arched hoodmoulded doorway and band course, corbelled battlements surmounting, window to right return; 2 pairs of arched windows to right above partially concealed basement windows, projecting gable to far right with angle turrets to front and 1?-storey, 4-bay segmental bay window with corbelled band course. To left of entrance: pair of arched windows with tripartite window adjacent above partially concealed basement windows. To rear of entrance front, former symmetrical rear of Adam castle rising above: recessed central arch containing windows to upper floors; regular arrowslit fenestration to rest of elevation with full height angle towers to flanks; advanced crenellated and turreted circular stair tower to right linking Adam and Burn elements. Large ashlar bull and horse (to represent the supporters of the armorial bearings of the Viscounts of Oxfuird) surmounting Adam castle. To far left, further Burn addition, see E ELEVATION.
E ELEVATION: pair of projecting battlemented pilastered arched bay windows to ground floor (3-bay to left, 4-bay to right) above matching plain basement windows, band course to central elevation; 7-bays to 1st floor (original 4 Adam bays to left, later 3 Burn bays to right), corbelled eaves course, battlemented parapet with ornamental angle turrets surmounting; flat roofed dormers to attic. To right return (adjoining Burn entrance to rear), projecting battlemented arched bay window (3-bays) above partially concealed basement window to ground floor with single bay to 1st floor, battlemented parapet with ornamental angle turrets surmounting.
W ELEVATION: to front left, 4 arched bays to principal floor with segmental bay window (bipartite window to centre and single bays to sides) to second bay left, squared 4th bay rising into crenellated tower. To left return, forming Burn entrance; to right return, series of stepped single bay elevations running to and adjoining side of 3-storey and basement, 3-bay Adam castle to rear right of elevation.
S (GARDEN) ELEVATION: central 4-storey and basement block consisting 3-bay bay window to centre with single bay to flanks, 5-storey round towers with slit windows adjacent, originally 2 ?-storey wings to flanks with single bays set within arched recesses (still visible to 1st floor right) with slit windows to exterior of bays, now projecting battlemented segmental bay window (2-bays with central 2-leaf door) above partially concealed basement window to ground floor right, 3-storey and basement segmental battlemented bay window (tripartite window to front, single bays to sides) to left. Small angle turrets to both wings.
COURTYARD TO WEST: irregular storeys and fenestration as each building phase meets although large earlier stone effigies of a Bull and Horse surmounting rear of Adam castle.
Mostly 12-pane timber sash and case windows, although some multi-and 2-pane arched timber windows to Burn's ground floor. Shallow piended grey slate roof with lead and zinc flashing concealed behind castellated parapet. Painted cast-iron rainwater goods. High ashlar sandstone stacks with decorative corbelled neck copes and variety of plain and ornamental cans.
INTERIOR: hall containing armoury; billiard room with Adam fireplace and King James' mirror, Watteau figures; library by William Burn; dining room is oldest part of house (65ft long, plastered and oak grained, ceiling by Adam); many original fireplaces including marble, timber, and metal surrounds; ornate plaster work, cornice work and ceiling roses with gilt decoration; some early light fittings, chandeliers and servants bells. Interior timber work surviving including many shutters, doors and door-cases. Carved and turned timber stair cases.
Statement of Special Interest
Originally an earlier L-plan tower house, Oxenfoord Castle was altered and extended by a number of generations. The most significant changes took place when the estate passed into the hands of Sir John Dalrymple and Lady Elizabeth, his cousin who had married against the wishes of her father. She had inherited the property on his death and, together with her husband, commissioned Robert Adam (with whom her husband had studied at University) to prepare a scheme for restoration and extension. These plans are housed at the Soane Museum. The Adams had recently converted Culzean Castle from an L-shaped house into a perfect rectangle with lower wings and flanking towers. Much the same was proposed at Oxenfoord, although the wings were slightly reduced in scale. At about this time the bridge (listed separately) was added to the castle. Designed by Alexander Stevens, (the bridge builder and architect with whom Adam had worked before, see Ayr Bridge), it borrows forms from the house. Later, a new church and burial ground was constructed to replace the old ones still found within the policies. This was due to it being sited too near to the newly refurbished castle and they were paid for fully by the Dalrymples (The Callanders of Prestonhall later moved the manse for much the same reason). By the time their son took over the property in the early 1800's, new ideas about country house design were well advanced. William Burn was called upon by the eighth Earl of Stair to further improve the castle. The symmetrical facade was added to by means of a lower wing culminating in a new complex entrance. Burn copied Adam's earlier style, reusing the pepper-pot turrets, machicolated cornice and string courses. He also added the segmental bay windows to the E and N elevations. The building stayed in the ownership of the Dalrymple family, with Lady Marjorie Dalrymple establishing a school in it in 1931. Until 1993, Oxenfoord Castle School was housed here. The castle has now reverted back into private use and is at the centre of the Oxenfoord estate.
Historic Environment Scotland is responsible for the designation of buildings, monuments, gardens and designed landscapes and historic battlefields. We also advise Scottish Ministers on the designation of historic marine protected areas.
Listing is the way that a building or structure of special architectural or historic interest is recognised by law through the Planning (Listed Buildings and Conservation Areas) (Scotland) Act 1997.
We list buildings of special architectural or historic interest using the criteria published in the Historic Environment Scotland Policy Statement.
The statutory listing address is the legal part of the listing. The information in the listed building record gives an indication of the special architectural or historic interest of the listed building(s). It is not a definitive historical account or a complete description of the building(s). The format of the listed building record has changed over time. Earlier records may be brief and some information will not have been recorded.
Listing covers both the exterior and the interior. Listing can cover structures not mentioned which are part of the curtilage of the building, such as boundary walls, gates, gatepiers, ancillary buildings etc. The planning authority is responsible for advising on what is covered by the listing including the curtilage of a listed building. For information about curtilage see www.historicenvironment.scot. Since 1 October 2015 we have been able to exclude items from a listing. If part of a building is not listed, it will say that it is excluded in the statutory address and in the statement of special interest in the listed building record. The statement will use the word 'excluding' and quote the relevant section of the Historic Environment Scotland Act 2014. Some earlier listed building records may use the word 'excluding', but if the Act is not quoted, the record has not been revised to reflect current legislation.
If you want to alter, extend or demolish a listed building you need to contact your planning authority to see if you need listed building consent. The planning authority is the main point of contact for all applications for listed building consent.
Find out more about listing and our other designations at www.historicenvironment.scot. You can contact us on 0131 668 8716 or at email@example.com.